Cooke Cine Lenses

Cooke S7/i Full Frame Plus Primes T2.0

Shoot 35mm, Super 35mm, Full Frame and Beyond

The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle).

Shoot 35mm / Super 35mm formats, full frame, VistaVision and beyond - all with The Cooke Look®. We have you covered with our S7/i Full Frame Plus lenses.

Superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability.

And, the S7/i lenses come equipped with /i Technology for frame by frame digital information capture, as do all modern Cooke cine lenses for film and digital capture.

 

Feature Highlights:

  • Covers at least 46.31mm image circle
  • Colour matched to Anamorphic/i, S4/i, miniS4/i, 5/i and Pancro/i Classic lenses
  • Award-winning cam style mechanism for smooth focus adjustments
  • Especially well balanced for astigmatism and correct for lateral and longitudinal aberrations over the entire image area
  • Supplied with the next generation of /i Technology for lens metadata capture
  • Linear iris
  • The Cooke Look®, of course

Cooke S7/i 16mm/T2.0 - NEW!

Cooke S7/i 18mm/T2.0

Cooke S7/i 21mm/T2.0 - NEW!

Cooke S7/i 25mm/T2.0

Cooke S7/i 27mm/T2.0 - NEW!

Cooke S7/i 32mm/T2.0

Cooke S7/i  40mm/T2.0

Cooke S7/i  50mm/T2.0

Cooke S7/i  65mm/T2.0 - NEW!

Cooke S7/i  75mm/T2.0

Cooke S7/i 100mm/T2.0 

Cooke S7/i 135mm/T2.0


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Cooke Anamorphic/i Prime Lenses T2.3

Puhlmann Cine GmbH - Cooke Anamorphic/i Prime Lenses

Optical Design

The optics are designed to give maximum performance at full aperture with superior control of flare, distortion and spherical aberration.

 

Electronics

Accessible via cable connector near the lens mount and contacts in mount that sync with /i compatible cameras and accessories.

 

Colour Balance

All Cooke Anamorphic/i prime lenses are colour balanced to a specification within parameters approved by Kodak and are colour-matched and compatible with Cooke 5/i, Cooke S4/i, miniS4/i, and CXX 15-40 mm T2 S4/i Zoom lenses.

 

T2.3 Aperture

All Cooke Anamorphic/i primes have a true T2.3 aperture and cover Super 35mm format.

Cooke Anamorphic/i 25mm/T2.3

Cooke Anamorphic/i 32mm/T2.3

Cooke Anamorphic/i 40mm/T2.3

Cooke Anamorphic/i 50mm/T2.3

Cooke Anamorphic/i 75mm/T2.3

Cooke Anamorphic/i 100mm/T2.3

Cooke Anamorphic/i 135mm/T2.3



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Cooke 5/i Prime Lenses T1.4

puhlmann Cine GmbH - Cooke 5/i Prime Lenses

Optical Design

The optics are designed to give maximum performance at full aperture with superior control of flare, distortion and spherical aberration.

 

Electronics

Accessible via cable connector near the lens mount and contacts in mount that sync with /i compatible cameras and accessories.

 

Colour Balance

All Cooke 5/i prime lenses are colour balanced to a specification within parameters approved by Kodak and are colour-matched and compatible with Cooke S4/i, miniS4/i, CXX 15-40 mm T2 S4/i Zoom, 18-100mm T3.0 and 25-250mm T3.7 and the SK4 16mm lenses.

 

T1.4 Aperture

All Cooke 5/i primes have a true T1.4 aperture and cover Super 35mm format.

Cooke 5/i 18mm/T1.4

Cooke 5/i 25mm/T1.4

Cooke 5/i 32mm/T1.4

Cooke 5/i 40mm/T1.4

Cooke 5/i 50mm/T1.4

Cooke 5/i 65mm/T1.4

Cooke 5/i 75mm/T1.4

Cooke 5/i 100mm/T1.4

Cooke 5/i 135mm/T1.4



Please contact us for pricing


Cooke S4/i Prime Lenses T2.0

puhlmann Cine GmbH - S4/i Prime Lenses

Optical Design

The optics are designed to give maximum performance at full aperture with superior control of flare, distortion and spherical aberration.

 

Electronics

Accessible via contacts in PL mount that sync with /i compatible cameras.

 

Colour Balance

All miniS4/i prime lenses are colour balanced to a specification within parameters approved by Kodak.

 

Aperture

All miniS4/i primes have a true T2.8 aperture and cover Super 35mm format.

Cooke S4/i 12mm/T2.0

Cooke S4/i 14mm/T2.0

Cooke S4/i 16mm/T2.0

Cooke S4/i 18mm/T2.0

Cooke S4/i 21mm/T2.0

Cooke S4/i 25mm/T2.0

Cooke S4/i 27mm/T2.0

Cooke S4/i 32mm/T2.0

Cooke S4/i 35mm/T2.0

Cooke S4/i 40mm/T2.0

Cooke S4/i 50mm/T2.0

Cooke S4/i 65mm/T2.0

Cooke S4/i 75mm/T2.0

Cooke S4/i 100mm/T2.0

Cooke S4/i 135mm/T2.0

Cooke S4/i 150mm/T2.0

Cooke S4/i 180mm/T2.0

Cooke S4/i 300mm/T2.8


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Cooke mini S4/i Prime Lenses T2.8

Optical Design Cooke Mini S4

The optics are designed to give maximum performance at full aperture with superior control of flare, distortion and spherical aberration.

 

Electronics

Accessible via contacts in PL mount that sync with /i compatible cameras.

 

Colour Balance

All miniS4/i prime lenses are colour balanced to a specification within parameters approved by Kodak.

 

Aperture

All miniS4/i primes have a true T2.8 aperture and cover Super 35mm format.

Cooke mini S4/i 18mm/T2.8

Cooke mini S4/i 21mm/T2.8

Cooke mini S4/i 25mm/T2.8

Cooke mini S4/i 32mm/T2.8

Cooke mini S4/i 40mm/T2.8

Cooke mini S4/i 50mm/T2.8

Cooke mini S4/i 65mm/T2.8

Cooke mini S4/i 75mm/T2.8

Cooke mini S4/i 100mm/T2.8

Cooke mini S4/i 135mm/T2.8


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New Cooke Panchro Classics

Puhlmann Cine - New Cooke Panchro Classics

The Cooke Panchro Classics all have a front diameter of 110mm — like the majority of S4/i and 5/i primes.

Puhlmann Cine - Cooke Classic Panchro

New Panchro/i Classic 135mm lens, first in a series of 2018 additions that will also bring 21mm, 27mm, and 65mm Macro

 

The Panchro Classic line is scheduled to ship around April 2017.

"by Jon Fauer" FDT

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Alle Preise sind Nettopreise, zzgl. der bei Rechnungsstellung geltende gesetzliche Mehrwertsteuersatz. Alle Angaben und Preise sind freibleibend und können ohne vorherige Ankündigung geändert, entfernt oder ergänzt werden.

All prices are net prices plus value-added tax. All specifications and prices are subject to change without prior notification. Errors and changes excepted.