Cooke Cine Lenses

The Anamorphic/i Full Frame Plus prime lenses represent the next logical step in the evolution of filmmaking:  large format production with anamorphic characteristics, including flare and oval bokeh.

Coverage circle covers a full 24 x 36 still size sensor with 1.8 squeeze. At 2x squeeze you would lose too many pixels. At 1.6x you won't get enough anamorphic character. At 1.8x you have that sweet spot with a great anamorphic feel and about 90% of the pixels at 2.4:1. Shoot at 2.7:1 and you have all the available frame and 100% of the pixels.

Superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability.

And, the Anamorphic/i Full Frame Plus lenses come equipped with /i Technology for frame by frame digital information capture, as do all modern Cooke cine lenses for film and digital capture.

Available in focal lengths: 32, 40, 50, 75, 100, 135 and 180mm, over the next 12 months.

Shoot 35mm, Super 35mm, Full Frame and Beyond

The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle).

Shoot 35mm / Super 35mm formats, full frame, VistaVision and beyond - all with The Cooke Look®. We have you covered with our S7/i Full Frame Plus lenses.

Superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability.

And, the S7/i lenses come equipped with /i Technology for frame by frame digital information capture, as do all modern Cooke cine lenses for film and digital capture.

Feature Highlights:

• Covers at least 46.31mm image circle
• Colour matched to Anamorphic/i, S4/i, miniS4/i, 5/i and Pancro/i Classic lenses
• Award-winning cam style mechanism for smooth focus adjustments
• Especially well balanced for astigmatism and correct for lateral and longitudinal aberrations over the entire image area
• Supplied with the next generation of /i Technology for lens metadata capture
• Linear iris
• The Cooke Look®, of course

Optical Design

The optics are designed to give maximum performance at full aperture with superior control of flare, distortion and spherical aberration.

Electronics

Accessible via cable connector near the lens mount and contacts in mount that sync with /i compatible cameras and accessories.

Colour Balance

All Cooke Anamorphic/i prime lenses are colour balanced to a specification within parameters approved by Kodak and are colour-matched and compatible with Cooke 5/i, Cooke S4/i, miniS4/i, and CXX 15-40 mm T2 S4/i Zoom lenses.

T2.3 Aperture

All Cooke Anamorphic/i primes have a true T2.3 aperture and cover Super 35mm format.

Optical Design

The optics are designed to give maximum performance at full aperture with superior control of flare, distortion and spherical aberration.

Electronics

Accessible via cable connector near the lens mount and contacts in mount that sync with /i compatible cameras and accessories.

Colour Balance

All Cooke 5/i prime lenses are colour balanced to a specification within parameters approved by Kodak and are colour-matched and compatible with Cooke S4/i, miniS4/i, CXX 15-40 mm T2 S4/i Zoom, 18-100mm T3.0 and 25-250mm T3.7 and the SK4 16mm lenses.

T1.4 Aperture

All Cooke 5/i primes have a true T1.4 aperture and cover Super 35mm format.

Optical Design

The optics are designed to give maximum performance at full aperture with superior control of flare, distortion and spherical aberration.

Electronics

Accessible via contacts in PL mount that sync with /i compatible cameras.

Colour Balance

All miniS4/i prime lenses are colour balanced to a specification within parameters approved by Kodak.

Aperture

All miniS4/i primes have a true T2.8 aperture and cover Super 35mm format.

Optical Design Cooke Mini S4

The optics are designed to give maximum performance at full aperture with superior control of flare, distortion and spherical aberration.

Electronics

Accessible via contacts in PL mount that sync with /i compatible cameras.

Colour Balance

All miniS4/i prime lenses are colour balanced to a specification within parameters approved by Kodak.

Aperture

All miniS4/i primes have a true T2.8 aperture and cover Super 35mm format.