Easyrig 5 Vario with Gimbal Vest and new Stabil arm

The Easyrig STABIL was released at NAB in 2019, for years Easyrig users have been wanting us to build something that smoothen out shots when walking. The Easyrig STABIL is incorporated into the Easyrig system to make the weight distribution as even and ergonomic as possible. Stabil is the Swedish word for “Stable”. The Easyrig STABIL together with the Gimbalrig vest and the Vario 5 system weighs 8 kg / 17.6 lbs. The STABIL-arm can lift camera setups between 5-25 kg / 11-55 lbs.


Easyrig 5 Vario (5-17kgs), w. gimbal vest and new STABIL arm

4.730,00 Euro (zzgl. MwSt./ex VAT)

Easyrig 5 Vario strong (14-25kg) w. gimbal vest and new STABIL arm

4.952,00 Euro (zzgl. MwSt./ex VAT)

DENZ OIC FF Director´s Viewfinder

DENZ OIC FF - Director‘s viewfinder for full frame lenses

by request reversible to anamorphic lenses- Full-Frame-Plus coverage

- Interchangeable mount system with LPL and PL mounts immediately available, others to follow

- Eyepiece with +/-4 diopter adjustment and long eye relief

- Easily swappable anamorphic de-squeezer module

- New DENZ ground glasses -- sturdy and acetone-safe

- Ergonomic, universal cherry wood handgrip with DENZ soft-touch coating and slip-proof quick-adjustment Hirth pivot-hinge for ideal comfort adjustment

- Special bracket (made from Konstructal AW7075) anodized, used for

balance point optimization through three "variable" attachment points

-1/4“-thread at the bottom of the handgrip for monopod-use

-> read more

Hi-Hat Board

The Hi-Hat and Low-Hat Mounting Board from is an 40x40cm″, 21mm thick plywood board for mounting a hi-hat or low-hat. It features a 10cm diameter opening in the center to accommodate and provide access to the tiedown on 75mm, 100mm and 150mm ball heads, and two hand holes for easy transport of the board. The corners of the board are cut, producing an octagonal shape that allows the board to fit into tighter spaces. Ideal for OConnor HiHat or GFM bowl mount with ditance tubes.



45,00 Euro (zzgl. MwSt./ex VAT)

ARRI unveil the new ALEXA Mini LF camera

Combining the compact size and low weight of the popular ALEXA Mini with the large-format ALEXA LF sensor, ALEXA Mini LF brings exciting new creative possibilities to ARRI’s large-format camera system. Robust and reliable, it provides the best overall image quality for large-format shooting, and features three internal motorized FSND filters, 12 V power input, extra power outputs, a new Codex Compact Drive, and a new MVF-2 high-contrast HD viewfinder.

Fujinon’s Premista Zooms

Named the Premista, the pair of new zooms will be a 28-100mm T2.9 and an 80-250mm T2.9-3.5 will feature a large image circle spec of 46.3mm. Both zooms have a T2.9 maximum aperture, however the longer zoom will ramp gradually between 200 and 250mm. The 80-250mm will begin shipping before the end of 2019, no price confirmed just yet. The shipping for the 28-100mm will be in Summer 2019.

-> read more 

Rota-Tray 4x5.65/138mm Variable ND Kit

4×5.65/138mm Variable ND Kit with Circular Polarizer and 4×5.65 Linear Pol

The Revar Cine Rota-Tray 4×5.65/138mm Variable ND Kit is a two filter system designed to fit into a two stage 4×5.65 Mattebox to create a Variable ND Filter with 1.6 to 8 stops of light loss range.  

-> read more


Euro 799,00 (zzgl. MwSt./ex VAT)

IB/E Optics PL - LPL Mechanical Adapter

PL to LPL Adapter - puhlmann.tv

The PL - LPL Mechanical Adapter makes it possible to use
native PL mount lenses on LPL mount systems, namely, the ARRI LF Camera.


790,00 Euro (zzgl. MwSt./ex VAT) 

Zeiss Supreme Prime 65mm

Zeiss Supreme 65mm Full Frame Cine Lens @ puhlmann.tv

Zeiss Supreme Prime 65mm T1.5 Lens - PL Mount (Available in Metre and Feet)

Cinematic Large-Format Coverage and High Speed Prime Lens


15.000,00 Euro (zzgl. MwSt./ex VAT)  


Lieferbar Februar 2019 / starts in February 2019

W. Whitepoint Optics

Multi-Format Lenses

The focal lengths of the lenses range from 21 – 500mm, catering from to Super35 to the ARRI Alexa 65 (TS70 lenses only), Red Vista Vision, Sony Venice and other large format and full format imaging sensors without vignetting or distortion. WPO ts70 series image circle is 82mm and WPO HS 46mm. The lenses are available in PL, EF and E-mount.


Sony Alpha a7 III Mirrorless Digital Camera

Sony Alpha a7 III Mirrorless Digital Camera (Body Only)

  • 24MP Full-Frame Exmor R BSI CMOS Sensor
  • BIONZ X Image Processor & Front-End LSI
  • 693-Point Hybrid AF System
  • UHD 4K30p Video with HLG & S-Log3 Gammas
  • 2.36m-Dot Tru-Finder OLED EVF
  • 3.0" 922k-Dot Tilting Touchscreen LCD
  • 5-Axis SteadyShot INSIDE Stabilization
  • ISO 204800 and 10 fps Shooting
  • Built-In Wi-Fi and NFC, Dual SD Slots
  • USB Type-C Port, Weather-Sealed Design


1.909,00 Euro (zzgl. MwSt./ex VAT)  


Lenses for Sony Alpha a7 III available now --->



Bundle consisting of: VENICE & DVF-EL200

-> more


39.500,00 Euro (zzgl. MwSt./ex VAT)


Bundle consisting of: VENICE, DVF-EL200, AXS-R7, CBKZ-3610F & CBKZ-3610A

-> more 


53.500,00 Euro (zzgl. MwSt./ex VAT)

cmotion Cinefade - Vary depth of field in film

The cmotion Cinefade system varies depth of field in a single motion picture shot at constant exposure, enabling the gradual transition between a sharp and a blurry background.

This is accomplished by using the new cmotion Cinefade motorized variable ND filter, which is paired to an iris motor on the lens.

This enables an iris change of up to 5 stops, while keeping exposure constant.

The Cinefade filter is compatible with most Arri matte boxes (LMB5/15/25, 4x5) and is fully integrated into the cmotion cvolution ecosystem via the LBUS protocol.

Its small and light weight design combined with its plug and play simplicity enables a unique cinematic effect in a very efficient way.


coming soon - cmotion Cinefade will be available in 2018

Cooke Anamorphic/i Full Frame Plus

The Anamorphic/i Full Frame Plus prime lenses represent the next logical step in the evolution of filmmaking:  large format production with anamorphic characteristics, including flare and oval bokeh.

-> read more

NEW TV-Logic F-7H Full HD, 3.600cd/m² monitor

TV Logic F-7H 7" monitor

Full HD, 3.600cd/m², 1920x1080, HDR Emulation, SDI <-> HDMI cross conversion


The new Field Monitor from TVLogic is called F-7H. With its 7 "Full HD display (1920 x 1080 pixels), it impresses above all with its brightness of 3,600 cd / m². With this brightness camera teams are able to work even in strong sunlight, even without sun protection.
The F-7H weighs only 760 grams with the sturdy but very light aluminum housing. The structure and various connections allow a diverse and above all flexible use.


1.690,00 Euro (zzgl. MwSt./ex VAT)

TV-Logic F-7H Full HD.pdf
Adobe Acrobat Document 426.9 KB

Zeiss Supreme Primes - unique images for your next masterpiece

Puhlmann Cine - ZEISS Supreme Prime Lenses - Opening up new dimensions

Consistency is one of the key elements offered by the ZEISS Supreme Prime lenses: that means consistent coverage, color rendering, aperture, size, weight and ergonomics. All the lenses across the family cover full frame and even bigger sensors with an image circle of 46.2 mm. The Supreme Prime lenses are color matched across the full range and most feature a fast T-stop of T1.5. The small front diameter of 95 mm on almost all lenses and standardized positioning of the focus and iris rings across the whole family facilitate fast and easy equipment changeout. The compact and lightweight design means you enjoy easy and comfortable handling. The ultra-smooth focus rotation of the Supreme Prime lenses even in extreme temperatures allows for small motors to make sure you have an easy setup that’s enjoyable to work with.

Puhlmann Cine - Ultimate flexibility Interchangeable Mount System

The Hybris - Shock Absorber

IDEA VISION ́s Hybris is custom designed to reduce high and low frequency vibrations and hard impact shocks typically experienced when shooting from moving platforms on rough terrain or paved roads. The front mount can be set for under or overslung use of any camera, gimbal or stabilized head. 


-> Hybris Shock Absorber


-> Demo Reel

Adobe Acrobat Document 791.1 KB

ARRI cforce mini RF lens motor

The ARRI cforce mini RF combines a selection of well proven components with new and refined ones. Based on the widely-adapted cforce mini lens motor, it includes the latest iteration of ARRI’s white-coded radio module with improved interference resistance, and six additional radio channels compatible with the WCU-4 hand unit. It comes with the solid high-quality outdoor antenna also used on the UMC-4 motor controller.

The cforce mini RF can pair with up to three hand units for split focus, iris and zoom operation, and provides full lens data for focus mapping and lens data display with the WCU-4 hand unit.

Using the LBUS interface, the system can be expanded with two additional cforce motors, while the new CAM connector provides a versatile interface for power supply and run/stop control with ARRI, and third-party cameras.


basic set

3.480,00 Euro (zzgl. MwSt./ex VAT)

RAPTOR lens series of IB/E Optics

RAPTOR lens series of IB/E OPTICS.

max. Image Diameter: ø 50mm (with PL-Mount) / ø 55mm (with XPL-Mount)

1:1 Magnification

T-Stop 2.9 within all focal lengths



Special Offer:

Set of 2 Cine Macro (F)

Set of 2 Feet Scale Raptor Macro lenses consisting of 100mm/150mm 


23.750,00 Euro (zzgl. MwSt./ex VAT)

bebob Vmicro: The smallest V-Mount Batteries on the market

puhlmann.tv - bebob Vmicro: The smallest V-Mount Batteries on the market

Even though a standard size of approximately 95 x 145 cm is well established for batteries in the broadcasting and film industry today, there are quite a lot of applications where the traditional battery format reaches its limits. Take particularly small cameras, viewfinder monitors or accessories such as audio kits and carrying cases as an example - it doesn't make sense to work with a power supply that has nearly the size of the camera or accessory. More compact solutions are required here, that align with the small dimensions of the supplied units. Sometimes size does matter...


Cooke Adds New Focal Lengths to S7/i and Panchro/i Classic Lenses

Cooke Adds New Focal Lengths to S7/i and Panchro/i Classic Lenses

Cooke announced new focal lengths of its S7/i Full Frame Plus and Panchro/i Classic lens lines that the company said will be debuting between now and the end of the year.

Ready for demo at NAB will be the new Panchro/i Classic 135mm lens, first in a series of 2018 additions that will also bring 21mm, 27mm, and 65mm Macro lenses to the line. Built to emulate the look and feel of the original Speed Panchro lens, the line currently includes 18mm, 25mm, 32mm, 40mm, 50mm, 75mm, 100mm and 152mm lenses.

Also coming this year are 16mm, 21mm, 27mm, and 65mm S7/i lenses, Cooke said, adding to the already available 18mm, 25mm, 32mm, 40mm, 50mm, 75mm, 100mmm and 135mm versions. The S7i lens line is specifically designed with a 46.31mm diameter image circle to cover the full sensor area of the Red Weapon 8K, Sony Venice and ARRI Alexa LF.

ALEXA LF  Large-format aesthetic with ALEXA image quality

Puhlmann Cine - ALEXA LF  Large-format aesthetic with ALEXA image quality

Featuring a sensor slightly larger than full frame, ALEXA LF records native 4K with ARRI’s best overall image quality. This allows filmmakers to explore an immersive large-format aesthetic while retaining the sensor’s natural colorimetry, pleasing skin tones and stunning capability for HDR and WCG workflows. Versatile recording formats, including efficient ProRes and uncompressed, unencrypted ARRIRAW up to 150 fps, encompass all on-set workflow requirements.

Signature Prime Organic images filled with life and emotion

Puhlmann Cine - Signatur Prime Organic images filled with life and emotion

Accompanying the ALEXA LF camera are 16 large-format ARRI Signature Prime lenses, ranging from 12 mm to 280 mm and fitted with the ARRI LPL mount. While the Signature Primes exemplify state-of-the-art optical precision, they have been designed to render organic, emotionally engaging images, gently softening and texturizing the large format with natural skin tones and creamy bokeh. A fast T-stop of T1.8 facilitates shallow depth of field and the smooth focus fall-off gives subjects heightened presence in the frame. 


The ARRI Signature Prime range is the first cine lens series to feature machined magnesium lens barrels, making the optics incredibly lightweight and robust. They are also the first to incorporate ARRI’s next-generation LDS-2 Lens Data System, with high data rates and absolute encoders for fast initializing. LDS-2 extends the possibilities of lens data and is being licensed to other lens and camera manufacturers.



The S35x8K Expander – using S35 lenses up to 8K.

  • can be used with most S35 PL lenses
  • features UMS PL mount
  • incompatible with mirror cameras

Magnification from Super-35 to Full Frame

Maximum Image Performance – Minimum Light Falloff


With its magnification factor of 1.6x the S35x8K Expander scales the Super-35 image up to maximum 46.4 mm which covers full-frame format (ø43.5 mm) and even the RED Dragon 8K format (46.3 mm).

During the design of the expander, special attention was paid to ensure a minimum of light falloff and a maximum imaging performance up to the edge of the larger sensors.

The S35x8K Expander is recommended for lenses with a max. aperture of T-stop of 2.0, providing the best performance at T2.8, with optimal resolution and sharpness.


Euro 3.250 ,00 (zzgl. MwSt./ex VAT)

IB/E Optics PLx1.4 Mark II Extender

The PLx1.4 Mark II has improved optical performance espe-cially at higher T-Stops. It extends the focal length of S35 PL mount lenses by a factor of 1.4, losing only one stop of light. The recommended max. input T-Stop is 1.6.The extender features high-index, low-dispersion glass to en-sure the highest possible resolution and contrast with mini-mal optical degradation. The optical design is optimized for digital cameras with telecentric ray path at the sensor. Compatibility is achieved with a deep-set optical assembly that accepts lenses with deep protruding rear elements. The PLx1.4 Mark II is also designed to mount to any digital cine-ma camera with a native PL mount. The UMS Mount System makes it easy to change the mount to Canon EF, Sony E, MFT or others without re-shimming.

-> more...

Sony’s VENICE Full Frame + S35 Camera

Sony launches VENICE today at the Sony Pictures Studios in Culver City. The European premiere will be in London at Pinewood on Thursday.  VENICE is the new Sony Full Frame and S35 high-end cine camera.

Report by John Fauer Film and Digital Times

Adobe Acrobat Document 5.5 MB

New Angenieux Optimo Ultra 12x Zoom: Full Frame, U35, S35

New Angenieux Optimo Ultra 12x Zoom: Full Frame, U35, S35

The next-generation Angénieux Optimo Ultra 12x is a high-end, multi-format zoom with interchangeable modules to cover  sensor sizes from Full Frame 24×36 and RED 8K VV to U35 and S35. It is the venerable Optimo 24-290 reference redefined, the zoom lens that accompanied almost every major motion picture production since it was introduced in September 2001.


Report by Jon Fauer Film and Digital Times 

NEW: C3 VacuMount: Easy Rigging!

C3 VacuMount: Easy Rigging!

The C3 VacuMount is a lightweight -3 kg-, resistant, and ultra-flexible vacuum mounting platform that delivers a multitude of rigging possibilities with ultimate functionality.


NEW : ARRI Lightweight Matte Box LMB 4x5 : NEW

NEW: ARRI Lightweight Matte Box LMB 4x5

This modular matte box expands on the feature set and creative possibilities of the LMB-25 while retaining an entry-level price tag. Suited for a wide range of applications in just one product, this robust but lightweight matte box allows for an unprecedented level of flexibility.


From a single-filter configuration for gimbals, drones, or Steadicams to clamp-on versions up to rod-mounted solutions (using either 15mm lightweight, 15mm or 19mm studio rods), the LMB 4x5 makes short work of challenging situations. Altering the various applications doesn't necessitate any supplementary tools, making set-ups quick and easy. The new matte box is also a highly compatible to legacy accessories; all clamp adapters and filter frames from the former models LMB-5, LMB-15, and LMB-25 are compatible. The LMB 4x5 also maintains the streamlined design for which ARRI's LMB range is known.


The LMB 4x5 will be launched at Broadcast Asia in Singapore end of May and directly after at Cine Gear in Los Angeles early June. ARRI is looking forward to the first customer shipment expected in July 2017.

VFM-055A 5.5” Full HD Viewfinder

The VFM-058W, the lightweight viewfinder monitor, offers an outstanding picture quality with 5.5” LCD, and Full HD resolution of 1920 x 1080. Innovative and ergonomic design of VFM-058W makes you comfortable in the shooting environment and its light solid magnesium case achieves the highest efficiency of ventilation. The VFM-058W supports multi-formats including 3G/HD/SD-SDI and HDMI that offers a wide application range from DSLR cameras to Pro camcorder for broadcasting and movie shooting. The VFM-058W has various features such as Max Brightness function, Temperature Adaptive Color, HDMI-to-SDI conversion output, 1:1 pixel mode, Luma(Y’) Zone Check function, DSLR Scale, Waveform, Vectorscope, Range Error, Focus Assist, Markers, Audio Level Meter with speaker and time code display.

-> read more

ZEISS Compact Prime CP.3 and CP.3 XD Lenses

Tailored for today’s cinema and beyond.

Digital technologies have transformed traditional filmmaking and refashioned the market. New and innovative technologies in both production and post-production have paved the way for a more versatile, cost effective and advanced workflow. The ZEISS CP.3 family is the latest contribution from ZEISS to support creative and progressive filmmaking with an affordable, future-proof and premium quality lens set.

The ZEISS CP.3 lenses offer the perfect combination of high image quality and reliable usability. They exhibit the clean, crisp characteristics ZEISS is known for, together with an interchangeable mount system and full-frame coverage. 

The ZEISS CP.3 XD version features innovative and ground-breaking lens data technology to speed-up and simplify the workflow on set and in post-production.

The ZEISS eXtended Data is a unique technology which is based on the Technology and provides information about the lens’ distortion and shading characteristics in real time. With the ZEISS CP.3 XD lenses, even small productions on a limited budget gain access to the advanced techniques common in state-of-the-art, big budget films, commercials and television shows.

Cooke S7/i Full Frame Plus Primes T2.0

Cooke S7/i Full Frame Plus Primes T2.0
  • Focal lengths: 18, 25, 32, 40, 50, 75, 100 and 135mm 
  • NEW: 16, 21, 27 and 65mm
  • T2.0 – T22 aperture
  • Covers up to 46.31mm image circle
  • Colour matched to Anamorphic/i, S4/i, miniS4/i, 5/i and Pancro/i Classic lenses
  • Award-winning cam style mechanism for smooth focus adjustments
  • Especially well balanced for astigmatism and correct for lateral and longitudinal aberrations over the entire image area
  • Supplied with the next generation of /i Technology for lens metadata capture
  • Linear iris
  • The Cooke Look®, of course

Available beginning June 2017 in focal lengths: 18, 25, 32, 40, 50, 75, 100 and 135mm.


138mm Diopter Tray for Arri style 4x5.65 matte boxes

The 138mm diopter tray holds a 138mm diopter in a standard Arri style 4 x 5.65 matte box allowing quick attachment for close focus situations and rendering it unnecessary to tape diopters to the lens.  The tray uses two standard width filter tray slots to accommodate up to a +2 diopter. Additionally the tray has two 1/4 – 20 holes on the bottom to accommodate alternative mounting methods.


Euro 340,00 (zzgl. MwSt.)


-> Diopter Tray

Leica Cine MacroLux +2, +1 and +0.5 optics diopter

Leica Cine MacroLux Diopter - Puhlmann Cine GmbH

Leica Cine MacroLux +2, +1 and +0.5 optics offer cinematographers and lens owners a creative way to get different looks and extend the performance of prime, zoom and anamorphic lenses with 95mm front diameters. Each shares the same mechanical housing, which means that all three are compatible with 95mm front diameter prime, zoom and anamorphic lenses and that all of them can be stacked and combined for new effects.

Euro 1.500,00 each (zzgl. MwSt.)

NEW - Zeiss 21-100mm T2.8 LWZ.3 Zoom

Zeiss 21-100mm T2.8 LWZ.3 Zoom

ZEISS Lightweight Zoom LWZ.3 21-100mm/T2.9-3.9 T*

When you turn motion into emotion.

The new LWZ.3 will be launched at IBC 2016. Stop by to see just why this zoom lens can be used for such a wide range of applications. The new ZEISS LWZ.3 will be available in January 2017.

It is light (2 kilos), compact, very affordable and has interchangeable mounts (PL, EF, F, E, MFT).

Euro 8.320,00 (zzgl. MwSt.)

-> Zeiss Cine Lenses

New Angénieux Type EZ Series

The Angenieux Type EZ-1 is a standard zoom lens with a zoom factor of 3x. When configured for S35mm cameras, the focal range and aperture are set to 30-90mm F1.9 / T2. By exchanging the rear lens group, the lens becomes a 45-135mm F2.8 / T3 covering an image circle up to 46mm diagonal.


The Angenieux Type EZ-2 is a wide zoom lens with a zoom factor of 2.7x. When configured for S35mm cameras, the focal range and aperture are set to 15-40mm F1.9 / T2. Byexchanging the rear lens group, the lens becomes a 22-60mm F2.8 / T3 covering an image circle up to 46mm diagonal.

starts at Euro 9.500,00 (zzgl. MwSt.)

New Cooke Panchro Classics

Puhlmann Cine - New Cooke Panchro Classics

In response to continued enthusiasm from cinematographers and demand by rental houses for Cooke Optics’ vintage Speed Panchro lenses from the 1920s-1960s, Cooke introduces a new series of Panchro Classics based on the original design, with PL mounts and modern mechanics.

"by Jon Fauer" FDT

-> Cooke

Pre-Owned on Sale

CARL Zeiss LWZ.3 Cine Zoom 21-100mm PL-Mount PC.15.1451
CARL Zeiss LWZ.3 Cine Zoom 21-100mm PL-Mount PC.15.1451

ARRI / Zeiss Master Prime Cine Lens Set PC.15.1445
ARRI / Zeiss Master Prime Cine Lens Set PC.15.1445

ARRI Wireless Video Receiver WVR-1 Basic Set PC.15.1436
ARRI Wireless Video Receiver WVR-1 Basic Set PC.15.1436

OConnor Ultimate 2575 Professional Fluid Head and Tripod Package PC.15.1435
OConnor Ultimate 2575 Professional Fluid Head and Tripod Package PC.15.1435

ARRI ALEXA SXT Plus Digital Camera Set PC.15.1424
ARRI ALEXA SXT Plus Digital Camera Set PC.15.1424

Kish UDF Directors Finder with PL-Mount and PV-Mount  PC.15.1412
Kish UDF Directors Finder with PL-Mount and PV-Mount PC.15.1412

ARRI / Zeiss Master Prime Cine Lens Set PC.15.1399
ARRI / Zeiss Master Prime Cine Lens Set PC.15.1399

Lomo Roundfront Anamorphic Lens Set PC.15.1386
Lomo Roundfront Anamorphic Lens Set PC.15.1386

ARRI ALEXA MINI Digital Camera 4:3 / ARRIRAW PC.15.1382
ARRI ALEXA MINI Digital Camera 4:3 / ARRIRAW PC.15.1382

Cooke Speed Panchro S2/S3 rehousing by TLS PC.15.1367
Cooke Speed Panchro S2/S3 rehousing by TLS PC.15.1367

Elite Anamorphic Lenses MKIV / MKV PC.15.1335
Elite Anamorphic Lenses MKIV / MKV PC.15.1335

Angenieux Optimo Zoom Lens 28-340mm, T3.2, PL-Mount PC.15.1348
Angenieux Optimo Zoom Lens 28-340mm, T3.2, PL-Mount PC.15.1348

Angenieux Optimo DP 30-80mm Super 35 PL cine zoom lens PC.15.1323
Angenieux Optimo DP 30-80mm Super 35 PL cine zoom lens PC.15.1323

Elite Mk IV & V Anamorphic 7 lens set PC.15.1289
Elite Mk IV & V Anamorphic 7 lens set PC.15.1289

Cooke Front Anamorphic Zoom Lens 35-140mm, T3.1 PC.15.1204
Cooke Front Anamorphic Zoom Lens 35-140mm, T3.1 PC.15.1204

PS Technik rehoused Leica R 135mm Cine Lens, PL-Mount PC.15.1124
PS Technik rehoused Leica R 135mm Cine Lens, PL-Mount PC.15.1124

Film, HD, Cameras, Optics, Digital Media, Motion Picture Equipment - Puhlmann Cine offers a wide range of service and sales including ARRI, Canon, Sony, Carl Zeiss Lenses, ...

Puhlmann Cine GmbH - Tel.: +49 8024 470 218 0 - mail@puhlmann.tv