cPRO PLUS a new ALL-IN version of the innovative cPRO LCS hand unit. Bringing together cmotion’s greatest development in ergonomics, mechanics and software in a new stylish high end design.
Stealth black design
Finished in high-end black anodized aluminum with space grey design elements, cPRO PLUS is strong and sophisticated for any shooting environment.
Advanced focus knob
cPRO PLUS adjusts to your style with its advanced focus knob providing variable torque adjustment. This offers greater versatility to owner-operators and rental houses.
Additional user buttons
To maximize access to the growing number of cPRO features, we have added 3 soft user buttons to the back of the advanced focus knob to ensure all your customized key features are always at your fingertips.
Unrivalled cine zoom system
Accompanying and matching ARRI Signature Primes, the four new Signature Zoom lenses render the most natural and beautiful images ever seen form a cine zoom. Designed for any large-format or Super 35 camera, they are uniformly fast at T2.8 and offer an unrivalled focal length range.
Unsurpassed image quality
ZEISS Supreme Prime 18/T1.5 PL Meter or Feet
ZEISS Supreme Prime 40/T1.5 PL Meter or Feet
ZEISS Supreme Prime 200/T2.1 PL Meter or Feet
Canon EOS C300 Mark III 4K Cinema Camcorder with Super 35 CMOS Sensor and EF-Mount
Here a few quick details:
- Sensor Size: Super 35mm
4K: 26,2 x 13,8 mm (29,61mm diagonal)
UHD 4K: 24,6 x 13,8mm (28,21mm diagonal)
- Records Cinema RAW Light and XF-AVC internally.
- 4K 120 fps Cinema RAW Light internal recording.
- Electronic image stabilization.
- Dual Gain Ouput Sensor with improved dynamic range.
- Dual Pixel Focus Guide eyepiece display shows whether you’re near focused or far and when you’re right on, it glows green.
- HDR support for both HLG and PQ.
- Interchangable Mounts: EF, EF-C locking, PL
- Sensor Modes: Super 35mm, Super 16mm (cropped)
shipping starts June 2020, ready for pre-order
9The Lindsey Optics Large Format Optical Viewfinder provides optical through the lens viewing for an unprecedented range of formats from Super-35 to Alexa 65.
At the heart of the LF Viewfinder design are interchangeable modules for quick and easy tool-free format changes. With a push of the red button, each module slips in and out of the LF body and securely nests in place. Included in the LF package are 3 modules: Large Format (ARRI Alexa 65 and RED Monstro 8K), Full Frame (Sony Venice) and Super 35.
The LF Viewfinder features an LPL lens mount and includes an LPL to PL adapter. The Eyepiece provides diopter adjustment from -4 to +4. There are 1/4-20-attachment points at the base of the viewfinder, base of the handle extension and Oak handle base.
ARRI is introducing a new EF Mount (LBUS) with an LBUS connector and a new, wider light baffle that illuminates Super 35 and large format sensor areas.
Canon EF lenses internal motors can be controlled with the WCU-4, SXU-1, OCU-1 or Master Grips. Lens metadata (focal length & iris, no focus) are passed through to the camera.
The EF Mount (LBUS) can be used on ALEXA Mini LF, ALEXA Mini and AMIRA cameras, but only ALEXA Mini LF and ALEXA Mini support the LBUS connector. The EF Mount (LBUS) does not require a specific Software Update Package.
The current EF Lens Mount (K2.0001103) stays in programm since it is most appropriate for the AMIRA camera. We do not recommend using the old EF Lens Mount (K2.0001103) on ALEXA Mini LF cameras, since vignetting may be possible on larger sensor formats.
The ZEISS Supreme Prime Radiance lenses enable cinematographers to create beautiful and consistent flares but with one key ability – control. This is made possible by our newly developed lens coating T* blue. Under regular lighting, Supreme Prime Radiance render like modern and versatile cinematography lenses. With appropriate lighting however, the lenses start to flare. Cinematographers can decide and plan when they want to create flares rather than relying on unforeseen effects. Overall, Supreme Prime Radiance are a touch warmer than Supreme Primes but still retain all the other features that one might have experienced from using the regular Supreme Prime lenses.
The TANGO allows the camera operator to quickly level the horizon, regardless of the weight of the camera and lens selected. The TANGO is a convenient third axis: whatever fluid or geared head is chosen, the panoramic movement remains horizontal and the tilt stays vertical. The maneuvering of the fluid or gear head remains unchanged. The twin support and racks add further advantages to TANGO such as silence, steadiness and flexibility when moving your camera, and a locking position range of 90° degrees.
The FX9 is sporting a newly developed Full-frame 6K sensor using the Venice S-Cinetone colour science. The Fast Hybrid AF is performing like a dream. ISO is now Dual Base at 800 & 4000. Recording is in 4K, oversampled from the 6K sensor for the best 4K images in its class.
The innovative lightweight LAMBDA 25 represents the ideal solution for Cameras up the 25 kg (55 lbs).
LAMBDA 25 inherits all the classic LAMBDA features with the addi on of pan and lt pierced rotation axis to allow the cable passage and a no limit multiple 360 rotation.
The patented CARTONI Fluid drag system is continuous on both axis.
The LAMBDA 25 Head can be mounted on any classic support as Tripods or Dollies or used in underslung position from Cranes, Jib arms and Dollies.
Ultimate 1040 Fluid Head Package (C1265-0001)
Price shown includes:
Orbiter is an ultra-bright, tunable, and directional LED fixture from ARRI. All systems in Orbiter are completely new and designed with versatility in mind.
The Hi-Hat and Low-Hat Mounting Board is an 40x40cm″, 21mm thick plywood board for mounting a hi-hat or low-hat. It features a 10cm diameter opening in the center to accommodate and provide access to the tiedown on 75mm, 100mm and 150mm ball heads, and two hand holes for easy transport of the board. The corners of the board are cut, producing an octagonal shape that allows the board to fit into tighter spaces. Ideal for OConnor HiHat or GFM bowl mount with ditance tubes.
45,00 Euro (zzgl. MwSt./ex VAT)
Combining the compact size and low weight of the popular ALEXA Mini with the large-format ALEXA LF sensor, ALEXA Mini LF brings exciting new creative possibilities to ARRI’s large-format camera system. Robust and reliable, it provides the best overall image quality for large-format shooting, and features three internal motorized FSND filters, 12 V power input, extra power outputs, a new Codex Compact Drive, and a new MVF-2 high-contrast HD viewfinder.
Named the Premista, the pair of new zooms will be a 28-100mm T2.9 and an 80-250mm T2.9-3.5 will feature a large image circle spec of 46.3mm. Both zooms have a T2.9 maximum aperture, however the longer zoom will ramp gradually between 200 and 250mm. The 80-250mm will begin shipping before the end of 2019, no price confirmed just yet. The shipping for the 28-100mm will be in Summer 2019.
4×5.65/138mm Variable ND Kit with Circular Polarizer and 4×5.65 Linear Pol
The Revar Cine Rota-Tray 4×5.65/138mm Variable ND Kit is a two filter system designed to fit into a two stage 4×5.65 Mattebox to create a Variable ND Filter with 1.6 to 8 stops of light loss range.