ZEISS Supreme Prime 18/T1.5 PL Meter or Feet 

Euro 21.000,00  (zzgl. MwSt./ex VAT)

ZEISS Supreme Prime 40/T1.5 PL Meter or Feet 

Euro 15.000,00  (zzgl. MwSt./ex VAT)

ZEISS Supreme Prime 200/T2.1 PL Meter or Feet

Euro 25.000,00  (zzgl. MwSt./ex VAT)

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Canon EOS C300 Mark III 4K Cinema Camcorder with Super 35 CMOS Sensor and EF-Mount

Here a few quick details:

- Sensor Size: Super 35mm
4K: 26,2 x 13,8 mm (29,61mm diagonal)

UHD 4K: 24,6 x 13,8mm (28,21mm diagonal)

- Records Cinema RAW Light and XF-AVC internally.

- 4K 120 fps Cinema RAW Light internal recording.

- Electronic image stabilization.

- Dual Gain Ouput Sensor with improved dynamic range.

- Dual Pixel Focus Guide eyepiece display shows whether you’re near focused or far and when you’re right on, it glows green.

- HDR support for both HLG and PQ.

- Interchangable Mounts: EF, EF-C locking, PL

- Sensor Modes: Super 35mm, Super 16mm (cropped)

shipping starts June 2020, ready for pre-order

Euro 9.990,00 (zzgl. MwSt./ex VAT)

ARRI 1800 W open face lamp M18 *promotion*

ARRI M18 Set

includes:

L1.37600.B ARRI M18 MAN blue/silver International (VEAM)

L2.40950.0 4-leaf barndoor, TRUE BLUE (344 mm / 13.5")

L2.37670.0 Spillring (330 mm / 13.0")

L2.75600.0 Head-to-Ballast cable 575/800/1200/1800 W, 7 m, International connector (VEAM)

Koto Bulb 1800W HMI SE XS G38

EB180P Power Gems 1800W Electronic Ballast (Output Power Options: 1.8kW, 1.2kW, 800W, 575W - Output Frequency Options: 1000Hz, 300Hz, 100Hz, Silent Mode)

NEW, sale on behalf of client

2 units available

PC.15.1844

Euro 5.400,00 (zzgl. MwSt./ex VAT)

IB/E Optics PLx1.4 Mark II

This product extends the focal length of S35 PL mount lenses by a factor of 1.4 while only losing one T-Stop in the process. The recommended max. input T-Stop is 1.6.  A lens fit test tool is included.

Features:

• Extends the focal length
• Telecentric design for high performance at digital cameras
• great performance at all T-Stops
• Flare optimized high-end systems
• Fits most PL lenses on the market
• PL UMS Mount System for flexibility

When you buy a PLx1.4 Mark II Extender until the end of April 2020 you get 20% Special discount.

Special Price Euro 3.196,00 (zzgl. MwSt./ex VAT)

(List price: Euro 3.995,00)

The TANGO allows the camera operator to quickly level the horizon, regardless of the weight of the camera and lens selected. The TANGO is a convenient third axis: whatever fluid or geared head is chosen, the panoramic movement remains horizontal and the tilt stays vertical. The maneuvering of the fluid or gear head remains unchanged. The twin support and racks add further advantages to TANGO such as silence, steadiness and flexibility when moving your camera, and a locking position range of 90° degrees.

Euro 6.000,00 (zzgl. MwSt./ex VAT)

Combining the compact size and low weight of the popular ALEXA Mini with the large-format ALEXA LF sensor, ALEXA Mini LF brings exciting new creative possibilities to ARRI’s large-format camera system. Robust and reliable, it provides the best overall image quality for large-format shooting, and features three internal motorized FSND filters, 12 V power input, extra power outputs, a new Codex Compact Drive, and a new MVF-2 high-contrast HD viewfinder.

Sony VENICE/BASE

Bundle consisting of: VENICE & DVF-EL200

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39.500,00 Euro (zzgl. MwSt./ex VAT)

Sony VENICE/CINE

Bundle consisting of: VENICE, DVF-EL200, AXS-R7, CBKZ-3610F & CBKZ-3610A

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53.500,00 Euro (zzgl. MwSt./ex VAT)

Cooke Anamorphic/i Full Frame Plus

The Anamorphic/i Full Frame Plus prime lenses represent the next logical step in the evolution of filmmaking:  large format production with anamorphic characteristics, including flare and oval bokeh.

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TV Logic F-7H 7" monitor

Full HD, 3.600cd/m², 1920x1080, HDR Emulation, SDI <-> HDMI cross conversion

The new Field Monitor from TVLogic is called F-7H. With its 7 "Full HD display (1920 x 1080 pixels), it impresses above all with its brightness of 3,600 cd / m². With this brightness camera teams are able to work even in strong sunlight, even without sun protection.
 
The F-7H weighs only 760 grams with the sturdy but very light aluminum housing. The structure and various connections allow a diverse and above all flexible use.

1.690,00 Euro (zzgl. MwSt./ex VAT)

Consistency is one of the key elements offered by the ZEISS Supreme Prime lenses: that means consistent coverage, color rendering, aperture, size, weight and ergonomics. All the lenses across the family cover full frame and even bigger sensors with an image circle of 46.2 mm. The Supreme Prime lenses are color matched across the full range and most feature a fast T-stop of T1.5. The small front diameter of 95 mm on almost all lenses and standardized positioning of the focus and iris rings across the whole family facilitate fast and easy equipment changeout. The compact and lightweight design means you enjoy easy and comfortable handling. The ultra-smooth focus rotation of the Supreme Prime lenses even in extreme temperatures allows for small motors to make sure you have an easy setup that’s enjoyable to work with.

-> Carl Zeiss Supreme Prime Lenses

IDEA VISION ́s Hybris is custom designed to reduce high and low frequency vibrations and hard impact shocks typically experienced when shooting from moving platforms on rough terrain or paved roads. The front mount can be set for under or overslung use of any camera, gimbal or stabilized head. 

-> Hybris Shock Absorber

-> Demo Reel

The ARRI cforce mini RF combines a selection of well proven components with new and refined ones. Based on the widely-adapted cforce mini lens motor, it includes the latest iteration of ARRI’s white-coded radio module with improved interference resistance, and six additional radio channels compatible with the WCU-4 hand unit. It comes with the solid high-quality outdoor antenna also used on the UMC-4 motor controller.

The cforce mini RF can pair with up to three hand units for split focus, iris and zoom operation, and provides full lens data for focus mapping and lens data display with the WCU-4 hand unit.

Using the LBUS interface, the system can be expanded with two additional cforce motors, while the new CAM connector provides a versatile interface for power supply and run/stop control with ARRI, and third-party cameras.

basic set

3.480,00 Euro (zzgl. MwSt./ex VAT)

RAPTOR lens series of IB/E OPTICS.

max. Image Diameter: ø 50mm (with PL-Mount) / ø 55mm (with XPL-Mount)

1:1 Magnification

T-Stop 2.9 within all focal lengths

read more ->

Special Offer:

Set of 2 Cine Macro (F)

Set of 2 Feet Scale Raptor Macro lenses consisting of 100mm/150mm 

23.750,00 Euro (zzgl. MwSt./ex VAT)

Cooke announced new focal lengths of its S7/i Full Frame Plus and Panchro/i Classic lens lines that the company said will be debuting between now and the end of the year.

Ready for demo at NAB will be the new Panchro/i Classic 135mm lens, first in a series of 2018 additions that will also bring 21mm, 27mm, and 65mm Macro lenses to the line. Built to emulate the look and feel of the original Speed Panchro lens, the line currently includes 18mm, 25mm, 32mm, 40mm, 50mm, 75mm, 100mm and 152mm lenses.

Also coming this year are 16mm, 21mm, 27mm, and 65mm S7/i lenses, Cooke said, adding to the already available 18mm, 25mm, 32mm, 40mm, 50mm, 75mm, 100mmm and 135mm versions. The S7i lens line is specifically designed with a 46.31mm diameter image circle to cover the full sensor area of the Red Weapon 8K, Sony Venice and ARRI Alexa LF.

Featuring a sensor slightly larger than full frame, ALEXA LF records native 4K with ARRI’s best overall image quality. This allows filmmakers to explore an immersive large-format aesthetic while retaining the sensor’s natural colorimetry, pleasing skin tones and stunning capability for HDR and WCG workflows. Versatile recording formats, including efficient ProRes and uncompressed, unencrypted ARRIRAW up to 150 fps, encompass all on-set workflow requirements.

Accompanying the ALEXA LF camera are 16 large-format ARRI Signature Prime lenses, ranging from 12 mm to 280 mm and fitted with the ARRI LPL mount. While the Signature Primes exemplify state-of-the-art optical precision, they have been designed to render organic, emotionally engaging images, gently softening and texturizing the large format with natural skin tones and creamy bokeh. A fast T-stop of T1.8 facilitates shallow depth of field and the smooth focus fall-off gives subjects heightened presence in the frame. 

The ARRI Signature Prime range is the first cine lens series to feature machined magnesium lens barrels, making the optics incredibly lightweight and robust. They are also the first to incorporate ARRI’s next-generation LDS-2 Lens Data System, with high data rates and absolute encoders for fast initializing. LDS-2 extends the possibilities of lens data and is being licensed to other lens and camera manufacturers.

more...

The S35x8K Expander – using S35 lenses up to 8K.

• can be used with most S35 PL lenses
• features UMS PL mount
• incompatible with mirror cameras

Magnification from Super-35 to Full Frame

Maximum Image Performance – Minimum Light Falloff

With its magnification factor of 1.6x the S35x8K Expander scales the Super-35 image up to maximum 46.4 mm which covers full-frame format (ø43.5 mm) and even the RED Dragon 8K format (46.3 mm).

During the design of the expander, special attention was paid to ensure a minimum of light falloff and a maximum imaging performance up to the edge of the larger sensors.

The S35x8K Expander is recommended for lenses with a max. aperture of T-stop of 2.0, providing the best performance at T2.8, with optimal resolution and sharpness.

Euro 3.250 ,00 (zzgl. MwSt./ex VAT)

Sony launches VENICE today at the Sony Pictures Studios in Culver City. The European premiere will be in London at Pinewood on Thursday.  VENICE is the new Sony Full Frame and S35 high-end cine camera.

Report by John Fauer Film and Digital Times

The next-generation Angénieux Optimo Ultra 12x is a high-end, multi-format zoom with interchangeable modules to cover  sensor sizes from Full Frame 24×36 and RED 8K VV to U35 and S35. It is the venerable Optimo 24-290 reference redefined, the zoom lens that accompanied almost every major motion picture production since it was introduced in September 2001.

Report by Jon Fauer Film and Digital Times 

Tailored for today’s cinema and beyond.

Digital technologies have transformed traditional filmmaking and refashioned the market. New and innovative technologies in both production and post-production have paved the way for a more versatile, cost effective and advanced workflow. The ZEISS CP.3 family is the latest contribution from ZEISS to support creative and progressive filmmaking with an affordable, future-proof and premium quality lens set.

The ZEISS CP.3 lenses offer the perfect combination of high image quality and reliable usability. They exhibit the clean, crisp characteristics ZEISS is known for, together with an interchangeable mount system and full-frame coverage. 

The ZEISS CP.3 XD version features innovative and ground-breaking lens data technology to speed-up and simplify the workflow on set and in post-production.

The ZEISS eXtended Data is a unique technology which is based on the Technology and provides information about the lens’ distortion and shading characteristics in real time. With the ZEISS CP.3 XD lenses, even small productions on a limited budget gain access to the advanced techniques common in state-of-the-art, big budget films, commercials and television shows.