Cooke now offers uncoated front elements for their S4/i series.
Available for each lens in the set.
Cooke S4/i: 12mm, 14mm, 16mm, 18mm, 21mm, 25mm, 27mm, 32mm, 35mm, 40mm, 50mm, 65mm, 75mm, 100mm, 135mm, 150mm, 180mm and 300 mm.
Light loss is about 10%, so depending on the lens, maximum T-stop is around T2.2 (instead of T2.0) with the uncoated front.
Sony Expands FS Series with New FS7 II Camcorder
New Model Delivers Advanced Features for creative Documentary and Indie Production with Electronic Variable ND Filter, Lever Lock Type E-mount and Refined Mechanical Design
– Electronic Variable ND
– 10 assignable buttons
– New Lens Lock Ring (Lever Lock Type) No rotation of lens anymore to detach.
– MPEG 2 Cache Recording
– BT 2020 Color Space
– New Arm Grip Position and Adjustments
– New 1/4 Full HD LCD (960/540) and rod ergonomics improvements
available beginning 2017
Body only: K-Version incl. SEL18110G Zoom Lens
Teradek Bolt 500 Compact Wireless Video
Longer range, more reliable, and smaller than ever before, the Bolt 500 is the new standard in short range zero delay wireless transmission.
Increased range of an impressive 500-foot distance
ZEISS Lightweight Zoom LWZ.3 21-100mm/T2.9-3.9 T*
When you turn motion into emotion.
The new LWZ.3 will be launched at IBC 2016. Stop by to see just why this zoom lens can be used for such a wide range of applications. The new ZEISS LWZ.3 will be available in January 2017.
It is light (2 kilos), compact, very affordable and has interchangeable mounts (PL, EF, F, E, MFT).
The Angenieux Type EZ-1 is a standard zoom lens with a zoom factor of 3x. When configured for S35mm cameras, the focal range and aperture are set to 30-90mm F1.9 / T2. By exchanging the rear lens group, the lens becomes a 45-135mm F2.8 / T3 covering an image circle up to 46mm diagonal.
The Angenieux Type EZ-2 is a wide zoom lens with a zoom factor of 2.7x. When configured for S35mm cameras, the focal range and aperture are set to 15-40mm F1.9 / T2. Byexchanging the rear lens group, the lens becomes a 22-60mm F2.8 / T3 covering an image circle up to 46mm diagonal.
Canon’s new EOS C700 Super35 format camera is designed to be a flexible “A” camera for various types of shooting scenarios. The EOS C700 features both internal 4K ProRes and XF-AVC recording.
In response to continued enthusiasm from cinematographers and demand by rental houses for Cooke Optics’ vintage Speed Panchro lenses from the 1920s-1960s, Cooke introduces a new
series of Panchro Classics based on the original design, with PL mounts and modern mechanics.
"by Jon Fauer" FDT
The “XK6x20” digital cinema camera zoom lens offers high optical performance compatible with 4K cameras and covers a wide focal length range from 20mm to 120mm. It also realizes T3.5 brightness throughout the entire zoom range. There is no T drop*3 and it offers comfortable operation. Various scenes can be shot with this single lens. The “XK6x20” is equipped with a detachable drive unit for electric zooming and focusing that is a popular function with existing products. It also features 0.8mm gear pitch*4 for compatibility with standard cine accessories.
This frontbox fits the standard frontbox pins found on most gear and fluid heads (e.g. oConnor) and holds alls of your (or your DPs) lightmeters, tools, pens and of course a standard size slate.
The new Angenieux Optimo 44-440mm, T4.5 long range anamorphic zoom, to be shown at NAB.
ARRI Alexa Mini Distribution Box
ARRI Alexa Mini EXT to 2 x RS (24V/1A), 1 x EXT (looped)
cable length 20cm
IB/E Optics APO Macro Lenses
The movement toward larger format sensors is still in progress early examples include RED Weapon 6k and 8k, Sony A7 or the ARRI ALEXA 65. Larger sensors deliver the film-look and an interesting bokeh due to their very shallow depth of field. These new cameras require lenses that can cover their larger camera sensor sizes. With the APO Macro FF lens family, IB/E Optics and Band Pro offer a new macro family consisting of 3 focal lengths: 100mm, 150mm, and 180mm. The APO Macro FF lenses feature full frame (24mm x 36mm) coverage 1:1 magnification, consistent T-stop T2.9 as well as robust and durable cine mechanics.
Lenses available Summer 2016.
ARRI ALEXA Mini HOTSWAP ADAPTER
smartAPU Version M (LightWeight)
optimized for handheld and gimbal use for powering light weight cameras and their accessories
Scope of delivery:
The housings are manufactured from anodised aluminium frameworks supporting a black polyurethane housing. The clear PVC windows allow the user to view the camera controls and displays. The camera is inserted into the housing through a military specification dry suit zip, and the housing is rendered waterproof by closing the zip. The housings are rated watertight to a depth of four metres.
The optical design of S35xFF Expander provides a change in the focal length by a factor 1.45x , covering a max. sensor size of 46.6 mm . This item allows the use of your "S35 Cine treasures" also
to the new large-format cameras in RED Weapon 6K (Dia 34.5 mm) and even 8K (Dia 46.3 mm).
It supports all lenses with a max. aperture of T-Stop 2.0, and provides best performance at T-Stop 2.8 with best values in resolution and sharpness.
The S35xFF is incompatible with rotating mirror shutter cameras.
The S35xFF can be used with all S35 lenses that have a PL mount.
Angenieux Optimo 17 - 80 mm Zoom
Angenieux Optimo 24 - 290 mm Zoom
Angenieux Compact Optimo Zooms
Angenieux 17 - 102 mm Zoom
Angenieux 25 - 250 mm HR-Zoom
Cooke Prime and Zoom T 2.0
Cooke 18 - 100 mm Zoom
Fuji, Canon T 2.0
Leica Summicron T 2.0
Zeiss Ultra Prime und Zooms T 2.0
The Rota-Pola Tray with Circular Polarizer (filter included) is a geared filter tray designed to interface with the latest 4×5.65 matte boxes on the market today.
The Ultimate articulating arm system:
Ultra Lite - Ultra Strong - Ultra Adjustable - Ultra Durable - Ultra Adaptable - Ultra Control for your Production
The best, lightest weight, most convenient and versatile monitor arms on the market ULCS ->