ZEISS is introducing its latest cine lens, the ZEISS Supreme Prime 15 mm T1.8, completing the family of highly successful Supreme Prime lenses renowned for its outstanding quality, light weight, and a versatile look. With its 14-piece high-end cine lens series ranging from 15 to 200 mm and a maximum aperture of T1.5 to T2.2, ZEISS covers a full range of focal lengths in demand by cinematographers from around the world. The new 15 mm lens rounds out the lineup providing an extremely wide-angle view and a maximum aperture of T1.8. “This 15 mm lens is the final piece of the puzzle that many cinematographers have been waiting for,” reported Christophe Casenave, responsible for cinematography products at ZEISS.
Suitable for a wide range of uses
The ZEISS Supreme Primes cover a wide range of camera sensors. Thanks to their broad compatibility with current camera models, such as the Sony Venice (2), the ARRI Alexa (Mini) LF, or the RED Monstro, and their high-quality workmanship and rugged design, Supreme Primes can be used in a wide variety of situations. “Super 35 cameras remain extremely popular. By adding the 15 millimeter lens, we are now making the Supreme Primes even more attractive to all users, providing greater creativity when using Super 35 or Full Frame cameras and more.” Casenave continued.
Supreme Primes in current feature films and series
The cinematic look provided by the lens family, which features a subtle and gradual focus fall-off and a consistently warm and soft bokeh, comes into its own when used for feature film and high-end episodic production. For example, cinematographers Armin Franzen and David Higgs, BSC, relied on the ZEISS Supreme Prime lens family for the upcoming 3rd season of the Sky series “Das Boot”. Supreme Primes were also used to shoot the science fiction adventure “The Adam Project” (Tobias Schliessler, ASC) and the sequel “Knives Out 2” (Steve Yedlin, ASC) – both Netflix productions. Award-winning cinematographer Dick Pope, BSC also relied on the Supremes for the thriller “The Outfit”. Availability and Further Information
The new Supreme Prime 15 mm T1.8 can be ordered immediately and will be delivered starting in June. Further information is available at www.zeiss.com/cine/supremeprime. Product photos can be downloaded from here.
The new Supreme Prime 15 mm T1.8 can be tested for the first time at the BSC Expo in London (April 7 – 9), at the Micro Salon AFC in Paris (April 13 – 14), and at the NAB Show in Las Vegas (April 23 – 27). You can find more movies and TV series shot with ZEISS Supreme Prime and ZEISS Supreme Prime Radiance here.
Geared Head Simulator
With our dedicated GearedHeadSimulator, you can practice gear head operation anywhere, anytime. Just hook up the interfacebox to your computer (MAC or PC) and start to control the camera with the balanced handwheels. We have developed a software with realistic scenarios including randomly moving objects that will challenge you even if you are an experienced operator. The camera position and the field of view (aka focal length, if you want) can be adjusted freely. Acceleration, speed, direction and damping can be set on all axis. To monitor your learning curve, you can record and play back takes so you can concentrate on operating and evaluate afterwards. The included clamps allow easy fixation of the wheels to tables or pipes.
2x balanced hand wheel encoder
Interfacebox with USB
Download link to the simulator software (PC / MAC)
A complete range of perfectly matched high-speed full frame cine lenses, consisting of 16 different focal lengths from 18mm to 350mm. All created to the same exacting standard and hand-crafted to the same exceptional quality and reliability.
Launch lineup consisting of 7 lenses available now (25, 32, 40, 50, 75, 100 and 135mm), with a further 9 lenses available in late 2022.
Transport Case for Arri Hi-5 Wireless Unit with Accessories
Nanuk case 940 with lid organizer & blue ATL
Brilliant² 4x5.65/138 1-Slot Variable ND Filter
Variable Neutral Density Filter designed to fit in 1 slot (stage) of most 4x5.65" matte boxes. It is constructed using two 138mm circular polarizers. One of the polarizers rotates and the other is fixed.
The VENICE 2 builds upon the strength of the original VENICE with new features including a compact design, internal recording and the option of two different sensors: the newly developed full-frame 8.6K sensor or the original 6K VENICE sensor. The VENICE 2 also inherits popular features from the original VENICE including color science, Dual Base ISO and 8-stops of build-in ND filters.
Sony VENICE 2 - Choose between 8K and 6K sensors
36x24mm Full-Frame Sensor for Cinema
VENICE 2 features one of two 36x24mm full-frame image sensors, designed speciﬁcally for the demands and performance of high-end cinematography. Each offers remarkable sensitivity, latitude and colour rendition, and because the sensor blocks are interchangeable, users can easily switch between sensors—without any extra firmware—and can even use the sensor from their original VENICE. The new 8K sensor can capture images up to a maximum resolution of 8640 x 5760, while the established 6K sensor offers up to 6048 x 4032. Both offer powerful oversampling for incredible 4K images.
ready for Pre-Order
The Tiffen family's three new Warm Diffusion Filters give new cinematic looks to a diverse array of skin complexions, keeping deep colors and shadow details present in your images.
Three Distinct Warm Diffusion Filters
Maintaining Deep Colors • Preserving Shadows • Atmospheric Glows • Mild Desaturation
WARM DIFFUSION FILTER HIGHLIGHTS
ARRI Hand Unit Hi-5
5th generation of intelligent hand unit.
The new ARRI Hi-5 is the most sophisticated hand unit on the market,
providing reliable wireless camera and multi-axis lens control.
Weatherproof and solidly built, it features an exceptional radio link range and unique,
swappable radio modules for different territories and shooting challenges.
KK.0041791 Hi-5 Hand Unit Basic Set
A new system of AR multi-coated optics designed to effectively increase the focal length of the lens by a factor of 2x while maintaining the highest level of image quality. The OptMore TL-FFX2 2x Extender from Musashi Optical is designed for full frame/large format sensor cinema cameras and lenses with industry standard PL mounts.
UVC desinfection equipment
In these times of pandemic, the transmission of SARS-CoV-2 through the air is a proven fact, so there is a significant potential for exposure to direct contact of the virus in droplets on everyday objects that are constantly used and handled: cell phones, keys, wallet, glasses, etc.
This invention comes to a solution to the problem of being able to disinfect, inactivating microorganisms such as bacteria, viruses, fungi and protozoa on all kinds of objects, including electronic devices, quickly, and in any place, thanks to an easily transportable device, equipped of ultraviolet radiation (UVC) lamps.
The ultraviolet disinfection equipment CFXS is an enclose structure made out of aluminum profiles and reflective aluminium panels for best radiation exposure.
A unique characteristic of UV light is that a specific range of its wavelength, between 200 and 300 nanometers (one billionth of a meter) is classified as a germicidal, that is, it can inactivate microorganisms such as bacteria, viruses, fungi and protozoa.
MINI CFXS: UVC Philips Lamps, Size: 300x200x305mm, Radiation 900J/M2, Power 22W
MEDIUM CFXM: UVC Philips Lamps, Size: 600x40x300mm, Radiation 3150J/M2, Power 2x36W
LARGE CFXL: UVC Philips Lamps, Size: 1440x540x674mm, Radiation 3150J/M2, Power 6x95W
B-UVC/AC UV-C BOXER /w 110-230 VAC power supply
Cartoni UV-C Boxer is a new UV disinfection device for video and motion picture equipment. It is designed to harness the power of germicidal UV to safely sanitize film and video equipment, including cameras, batteries, lenses, steadicam and accessories.
UV-C is a wavelength of UV-Light (betwwwn 200-800 nanometers), that can inactivate pathogens like bacteria and viruses. UV-C works in place of potentially harmful chemicals. Irradiation ideal as a sanitization process for delicate professional film and broadcast equipment as it does not affect – if used properly – optical lens coating, electronic circuits & boards, lubricants, rubber, or plastic in cameras, lenses, monitors, microphones, etc.
Dimensions: 100x66x95 cm or 39.5x 26×37.5 in
Weight: 52 kg. or 114.64 lbs
Internal chamber: 93x55x62cm or 36.5×21.5×24 in
Power: 110/220 volts, battery or power bank.
Operating tension: 24volts
Cycle: 5 minutes with timer
cPRO PLUS a new ALL-IN version of the innovative cPRO LCS hand unit. Bringing together cmotion’s greatest development in ergonomics, mechanics and software in a new stylish high end design.
Stealth black design
Finished in high-end black anodized aluminum with space grey design elements, cPRO PLUS is strong and sophisticated for any shooting environment.
Advanced focus knob
cPRO PLUS adjusts to your style with its advanced focus knob providing variable torque adjustment. This offers greater versatility to owner-operators and rental houses.
Additional user buttons
To maximize access to the growing number of cPRO features, we have added 3 soft user buttons to the back of the advanced focus knob to ensure all your customized key features are always at your fingertips.
Unrivalled cine zoom system
Accompanying and matching ARRI Signature Primes, the four new Signature Zoom lenses render the most natural and beautiful images ever seen form a cine zoom. Designed for any large-format or Super 35 camera, they are uniformly fast at T2.8 and offer an unrivalled focal length range.
Unsurpassed image quality
ZEISS Supreme Prime 18/T1.5 PL Meter or Feet
ZEISS Supreme Prime 40/T1.5 PL Meter or Feet
ZEISS Supreme Prime 200/T2.1 PL Meter or Feet
Canon EOS C300 Mark III 4K Cinema Camcorder with Super 35 CMOS Sensor and EF-Mount
Here a few quick details:
- Sensor Size: Super 35mm
4K: 26,2 x 13,8 mm (29,61mm diagonal)
UHD 4K: 24,6 x 13,8mm (28,21mm diagonal)
- Records Cinema RAW Light and XF-AVC internally.
- 4K 120 fps Cinema RAW Light internal recording.
- Electronic image stabilization.
- Dual Gain Ouput Sensor with improved dynamic range.
- Dual Pixel Focus Guide eyepiece display shows whether you’re near focused or far and when you’re right on, it glows green.
- HDR support for both HLG and PQ.
- Interchangable Mounts: EF, EF-C locking, PL
- Sensor Modes: Super 35mm, Super 16mm (cropped)
shipping starts June 2020, ready for pre-order
9The Lindsey Optics Large Format Optical Viewfinder provides optical through the lens viewing for an unprecedented range of formats from Super-35 to Alexa 65.
At the heart of the LF Viewfinder design are interchangeable modules for quick and easy tool-free format changes. With a push of the red button, each module slips in and out of the LF body and securely nests in place. Included in the LF package are 3 modules: Large Format (ARRI Alexa 65 and RED Monstro 8K), Full Frame (Sony Venice) and Super 35.
The LF Viewfinder features an LPL lens mount and includes an LPL to PL adapter. The Eyepiece provides diopter adjustment from -4 to +4. There are 1/4-20-attachment points at the base of the viewfinder, base of the handle extension and Oak handle base.
ARRI is introducing a new EF Mount (LBUS) with an LBUS connector and a new, wider light baffle that illuminates Super 35 and large format sensor areas.
Canon EF lenses internal motors can be controlled with the WCU-4, SXU-1, OCU-1 or Master Grips. Lens metadata (focal length & iris, no focus) are passed through to the camera.
The EF Mount (LBUS) can be used on ALEXA Mini LF, ALEXA Mini and AMIRA cameras, but only ALEXA Mini LF and ALEXA Mini support the LBUS connector. The EF Mount (LBUS) does not require a specific Software Update Package.
The current EF Lens Mount (K2.0001103) stays in programm since it is most appropriate for the AMIRA camera. We do not recommend using the old EF Lens Mount (K2.0001103) on ALEXA Mini LF cameras, since vignetting may be possible on larger sensor formats.
The ZEISS Supreme Prime Radiance lenses enable cinematographers to create beautiful and consistent flares but with one key ability – control. This is made possible by our newly developed lens coating T* blue. Under regular lighting, Supreme Prime Radiance render like modern and versatile cinematography lenses. With appropriate lighting however, the lenses start to flare. Cinematographers can decide and plan when they want to create flares rather than relying on unforeseen effects. Overall, Supreme Prime Radiance are a touch warmer than Supreme Primes but still retain all the other features that one might have experienced from using the regular Supreme Prime lenses.
The TANGO allows the camera operator to quickly level the horizon, regardless of the weight of the camera and lens selected. The TANGO is a convenient third axis: whatever fluid or geared head is chosen, the panoramic movement remains horizontal and the tilt stays vertical. The maneuvering of the fluid or gear head remains unchanged. The twin support and racks add further advantages to TANGO such as silence, steadiness and flexibility when moving your camera, and a locking position range of 90° degrees.
The FX9 is sporting a newly developed Full-frame 6K sensor using the Venice S-Cinetone colour science. The Fast Hybrid AF is performing like a dream. ISO is now Dual Base at 800 & 4000. Recording is in 4K, oversampled from the 6K sensor for the best 4K images in its class.
The innovative lightweight LAMBDA 25 represents the ideal solution for Cameras up the 25 kg (55 lbs).
LAMBDA 25 inherits all the classic LAMBDA features with the addi on of pan and lt pierced rotation axis to allow the cable passage and a no limit multiple 360 rotation.
The patented CARTONI Fluid drag system is continuous on both axis.
The LAMBDA 25 Head can be mounted on any classic support as Tripods or Dollies or used in underslung position from Cranes, Jib arms and Dollies.
Ultimate 1040 Fluid Head Package (C1265-0001)
Price shown includes:
Orbiter is an ultra-bright, tunable, and directional LED fixture from ARRI. All systems in Orbiter are completely new and designed with versatility in mind.
The Hi-Hat and Low-Hat Mounting Board is an 40x40cm″, 21mm thick plywood board for mounting a hi-hat or low-hat. It features a 10cm diameter opening in the center to accommodate and provide access to the tiedown on 75mm, 100mm and 150mm ball heads, and two hand holes for easy transport of the board. The corners of the board are cut, producing an octagonal shape that allows the board to fit into tighter spaces. Ideal for OConnor HiHat or GFM bowl mount with ditance tubes.
45,00 Euro (zzgl. MwSt./ex VAT)
Combining the compact size and low weight of the popular ALEXA Mini with the large-format ALEXA LF sensor, ALEXA Mini LF brings exciting new creative possibilities to ARRI’s large-format camera system. Robust and reliable, it provides the best overall image quality for large-format shooting, and features three internal motorized FSND filters, 12 V power input, extra power outputs, a new Codex Compact Drive, and a new MVF-2 high-contrast HD viewfinder.
Named the Premista, the pair of new zooms will be a 28-100mm T2.9 and an 80-250mm T2.9-3.5 will feature a large image circle spec of 46.3mm. Both zooms have a T2.9 maximum aperture, however the longer zoom will ramp gradually between 200 and 250mm. The 80-250mm will begin shipping before the end of 2019, no price confirmed just yet. The shipping for the 28-100mm will be in Summer 2019.
4×5.65/138mm Variable ND Kit with Circular Polarizer and 4×5.65 Linear Pol
The Revar Cine Rota-Tray 4×5.65/138mm Variable ND Kit is a two filter system designed to fit into a two stage 4×5.65 Mattebox to create a Variable ND Filter with 1.6 to 8 stops of light loss range.